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Portal:Países Bajos

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Los Países Bajos , informalmente Holanda , es un país situado en el noroeste de Europa con territorios de ultramar en el Caribe . Es el más grande de los cuatro países constituyentes del Reino de los Países Bajos . Los Países Bajos constan de doce provincias ; limita con Alemania al este y Bélgica al sur, con una costa del mar del Norte al norte y al oeste. Comparte fronteras marítimas con el Reino Unido , Alemania y Bélgica. El idioma oficial es el neerlandés, con el frisón occidental como idioma oficial secundario en la provincia de Frisia . El neerlandés, el inglés y el papiamento son oficiales en los territorios del Caribe .

Los Países Bajos han sido una monarquía constitucional parlamentaria con una estructura unitaria desde 1848. El país tiene una tradición de pilarización (separación de los ciudadanos en grupos por religión y creencias políticas) y un largo historial de tolerancia social , habiendo legalizado la prostitución y la eutanasia , junto con el mantenimiento de una política liberal de drogas . Los Países Bajos permitieron el sufragio femenino en 1919 y fue el primer país en legalizar el matrimonio entre personas del mismo sexo en 2001. Su economía avanzada de mercado mixto tiene el undécimo ingreso per cápita más alto del mundo. La Haya alberga la sede de los Estados Generales , el Gabinete y el Tribunal Supremo . El puerto de Róterdam es el más transitado de Europa . Schiphol es el aeropuerto más transitado de los Países Bajos y el cuarto más transitado de Europa . Al ser un país desarrollado , los Países Bajos son miembro fundador de la Unión Europea , la Eurozona , el G10 , la OTAN , la OCDE y la OMC , así como parte del Espacio Schengen y la Unión trilateral del Benelux . Alberga organizaciones intergubernamentales y tribunales internacionales , muchos de los cuales tienen su sede en La Haya. ( Artículo completo... )

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  • El medio dólar hugonote-valón o medio dólar hugonote-valón del tricentenario es una moneda conmemorativa emitida por la Oficina de la Casa de la Moneda de los Estados Unidos en 1924. Marca el 300 aniversario del viaje del Nieuw Nederlandt que desembarcó en el área de Nueva York en 1624. Muchos de los pasajeros eran hugonotes de Francia o valones de lo que ahora es Bélgica; se convirtieron en los primeros colonos del estado de Nueva York y el área circundante.

    Una comisión dirigida por el Consejo Federal de Iglesias de América solicitó la emisión de medio dólar para conmemorar el aniversario, y el proyecto de ley fue aprobado por el Congreso sin oposición en 1923 y fue firmado por el presidente Warren G. Harding . Los bocetos fueron preparados por el presidente de la comisión, el reverendo John Baer Stoudt, y convertidos en modelos de yeso por el envejecido grabador jefe de la Casa de la Moneda, George T. Morgan . Los modelos fueron rechazados inicialmente por la Comisión de Bellas Artes , que requirió revisiones bajo la supervisión del diseñador de níquel de Buffalo, James Earle Fraser . ( Artículo completo... )
  • Jan van Eyck, Crucifixion and Last Judgement diptych, c. 1430–40. Oil on canvas, transferred from wood. Each 56.5 cm × 19.7 cm (22.25 in × 7.75 in); Metropolitan Museum of Art, New York


    The Crucifixion and Last Judgement diptych (or Diptych with Calvary and Last Judgement) consists of two small painted panels attributed to the Early Netherlandish artist Jan van Eyck, with areas finished by unidentified followers or members of his workshop. This diptych is one of the early Northern Renaissance oil-on-panel masterpieces, renowned for its unusually complex and highly detailed iconography, and for the technical skill evident in its completion. It was executed in a miniature format; the panels are just 56.5 cm (22.2 in) high by 19.7 cm (7.8 in) wide. The diptych was probably commissioned for private devotion.

    The left-hand wing depicts the Crucifixion. It shows Christ's followers grieving in the foreground, soldiers and spectators milling about in the mid-ground and a portrayal of three crucified bodies in the upper-ground. The scene is framed against an expansive and foreboding sky with a view of Jerusalem in the distance. The right-hand wing portrays scenes associated with the Last Judgement: a hellscape at its base, the resurrected awaiting judgement in the centre-ground, and a representation of Christ in Majesty flanked by a Great Deësis of saints, apostles, clergy, virgins and nobility in the upper section. Portions of the work contain Greek, Latin and Hebrew inscriptions. The original gilt frames contain Biblical passages in Latin drawn from the books of Isaiah, Deuteronomy and Revelation. According to a date written in Russian on their reverse, the panels were transferred to canvas supports in 1867. (Full article...)
  • Jacobus Anthonie Meessen (Dutch pronunciation: [jaːˈkoːbʏs ˈɑntoːni ˈmeːsə(n)]; 5 December 1836 – 14 November 1885) was a Dutch photographer who took more than 250 portraits and landscapes of the Dutch East Indies (now Indonesia) between 1864 and 1870. Born to a carpenter in Utrecht, Meessen worked in that trade in the Indies before marrying in the Netherlands in the early 1860s. He returned to the colony in 1864, intent on documenting its land and people. He worked mostly in the capital of Batavia (now Jakarta), Java, and Padang, Sumatra; he also photographed Bangka, Belitung, Borneo, and Nias.

    When Meessen returned to the Netherlands in 1870, he established a short-lived partnership with Abraham Vermeulen and began disseminating his photographs. Selected images were given to King William III in an elaborately decorated album in 1871, while more were published by De Bussy in 1875 and exhibited in Paris and Amsterdam. In his final years, Meessen worked predominantly as an architect. Collections of his albumen prints, some of which were hand-tinted or annotated, are held in four institutions in the Netherlands. (Full article...)

  • Poster

    Pah Wongso Pendekar Boediman (Malay for Pah Wongso the Righteous Warrior) is a 1941 detective film from the Dutch East Indies (now Indonesia). The first production by Star Film, it was produced by Jo Eng Sek and features camerawork by Cho' Chin Hsin. Starring Pah Wongso, Elly Joenara and Mohamad Arief, it follows the social worker Pah Wongso as he investigates a murder to clear his protégé's name.

    The first film of its genre to be produced in the Indies, Pah Wongso Pendekar Boediman was made to capitalize on the popularity of Wijnhamer and Hollywood characters such as Charlie Chan and Mr. Moto. Released in April 1941 to popular acclaim, it had a mixed critical reception; the reviewer Saeroen suggested that its success was entire because of its star's renown. A sequel to this film, Pah Wongso Tersangka, was released later in 1941 but is possibly lost. (Full article...)

  • Newspaper advertisement

    Gagak Item ([ɡaˈɡaʔ iˈtəm]; Vernacular Malay for Black Raven, also known by the Dutch title De Zwarte Raaf) is a 1939 bandit film from the Dutch East Indies (now Indonesia) directed by Joshua and Othniel Wong for Tan's Film. Starring Rd Mochtar, Roekiah, and Eddy T. Effendi, it follows a masked man known only as "Gagak Item" ("Black Raven"). The black-and-white film, which featured the cast and crew from the 1937 hit Terang Boelan (Full Moon), was a commercial success and received positive reviews upon release. It is likely lost. (Full article...)

  • Newspaper advertisement, Surabaya

    Djaoeh Dimata (Indonesian: [dʒaˈuh diˈmata]; Perfected Spelling: Jauh di Mata; Indonesian for Out of Sight) is a 1948 film from what is now Indonesia written and directed by Andjar Asmara for the South Pacific Film Corporation (SPFC). Starring Ratna Asmara and Ali Joego, it follows a woman who moves to Jakarta to find work after her husband is blinded in an accident. SPFC's first production, Djaoeh Dimata took two to three months to film and cost almost 130,000 gulden.

    The first domestically produced feature film to be released in five years, Djaoeh Dimata received favourable reviews, although financially it was outperformed by Roestam Sutan Palindih's Air Mata Mengalir di Tjitarum (released soon after). The film's cast remained active in the Indonesian film industry, some for another 30 years, and SPFC produced six more works before closing in 1949. A copy of the film is stored at Sinematek Indonesia. (Full article...)
  • Harta Berdarah ([harˈta bərˈdarah]; Indonesian for Bloody Treasure) is a 1940 action film from the Dutch East Indies (now Indonesia). Set in the Middle Ages, the film stars R Sukran and Hadidjah as a pirate and a princess who fall in love. Union Films, the country's first indigenous film production house, produced the film with Rd Ariffien and R Hu as directors. It was written by Saeroen, one of the country's most prolific screenwriters.The film, which stars Zonder and Soelastri, tells of a young man who convinces a stingy hadji to be more charitable and, in the process, falls in love with the man's daughter.

    Released during Eid al-Fitr, Harta Berdarah was advertised as a "magnificent Indonesian action hit" and used Zonder's silat skills and Soelastri's fame as a keroncong singer to draw audiences. Reviews for the work were positive, with praise focused on its acting and story. Although Harta Berdarah was screened as late as 1944, as with most contemporary productions it is now likely lost. (Full article...)

  • Jacob Isaackszoon van Ruisdael (Dutch pronunciation: [ˈjaːkɔp fɑn ˈrœyzdaːl] ; c. 1629 – 10 March 1682) was a Dutch painter, draughtsman, and etcher. He is generally considered the pre-eminent landscape painter of the Dutch Golden Age, a period of great wealth and cultural achievement when Dutch painting became highly popular.

    Prolific and versatile, Ruisdael depicted a wide variety of landscape subjects. From 1646 he painted Dutch countryside scenes of remarkable quality for a young man. After a trip to Germany in 1650, his landscapes took on a more heroic character. In his late work, conducted when he lived and worked in Amsterdam, he added city panoramas and seascapes to his regular repertoire. In these, the sky often took up two-thirds of the canvas. In total he produced more than 150 Scandinavian views featuring waterfalls. (Full article...)
  • Soeara Berbisa ([suˈara bərˈbisa]; Perfected Spelling: Suara Berbisa; Indonesian for Venomous Voice) is a 1941 film from the Dutch East Indies. Produced by Ang Hock Liem for Union Films and directed by R Hu, this black-and-white film stars Raden Soekarno, Ratna Djoewita, Oedjang, and Soehaena. The story, written by Djojopranoto, follows two young men who compete for the affections of a woman before learning that they are long-lost brothers.

    Filmed in September and October 1941, Soeara Berbisa features keroncong music and was shot partly in western Java. It was released to coincide with the Eid al-Fitr holiday and rated for all ages. Advertisements emphasised the film's appeal to both native and Dutch audiences, and a review in De Indische Courant was positive. Although the film—Union's penultimate production—was screened as late as 1949, it is now likely lost. (Full article...)
  • Si Tjonat (Perfected Spelling: Si Conat) is a likely lost 1929 bandit film from the Dutch East Indies (now Indonesia) directed by Nelson Wong and produced by Wong and Jo Eng Sek. Based on the novel by F.D.J. Pangemanann, the silent film followed an indigenous man who, having killed his fellow villager, flees to Batavia (today Jakarta) and becomes a bandit. After kidnapping an ethnic Chinese woman, he is defeated and brought to justice.

    A commercially oriented work aimed at ethnic Chinese audiences, Si Tjonat received mixed reviews; box office proceeds are unclear. Although intended as a serial, no sequel was ever made; the production house, Batavia Motion Picture, closed soon afterwards. Several works in the same genre were released soon afterwards, including Si Pitoeng, which used the same director and star. (Full article...)

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  • Un cartel con texto en malayo que dice Loetoeng Kasaroeng en letras grandes; también se ve una imagen.
    Afiche de la película Loetoeng Kasaroeng , la primera película de producción local estrenada en las Indias Orientales Holandesas

    Se sabe que se produjeron un total de 112 películas de ficción en las Indias Orientales Neerlandesas (actual Indonesia) entre 1926 y la disolución de la colonia en 1949. Las primeras películas, importadas del extranjero, se exhibieron a fines de 1900 y, a principios de la década de 1920, se exhibieron seriales y películas de ficción importadas, a menudo con nombres locales. Las empresas holandesas también producían películas documentales sobre las Indias para exhibirlas en los Países Bajos. Los primeros informes de producción de películas de ficción en las Indias datan de 1923, aunque el trabajo en cuestión no se completó. La primera película producida localmente, Loetoeng Kasaroeng , fue dirigida por L. Heuveldorp y se estrenó el 31 de diciembre de 1926.

    Entre 1926 y 1933 se estrenaron numerosas otras producciones locales. Aunque holandeses como Heuveldorp y George Krugers continuaron activos en la industria, la mayoría de los cineastas y productores eran de etnia china . Los hermanos Tan (Khoen Yauw y Khoen Hian) y The Teng Chun fueron los principales productores durante este período, mientras que los hermanos Wong (Nelson, Othniel y Joshua) estaban entre los directores más destacados. A mediados de la década de 1930, la producción disminuyó como resultado de la Gran Depresión . El estreno de Terang Boelan ( Luna llena ) de Albert Balink, un éxito comercial y de crítica, condujo a un renovado interés en el cine, y en 1941 se produjeron treinta películas locales. Este ritmo de producción disminuyó después de la ocupación japonesa que comenzó a principios de 1942, cerrando todos los estudios cinematográficos menos uno; esto dio lugar a que varias películas que habían comenzado a producirse en 1941 se estrenaran varios años después. La mayoría de las películas producidas durante la ocupación fueron piezas breves de propaganda . Tras la Proclamación de la Independencia de Indonesia en 1945 y durante la revolución que siguió , se hicieron varias películas, tanto por patrocinadores pro-holandeses como pro-indonesios; Los holandeses reconocieron formalmente la soberanía de Indonesia el 27 de diciembre de 1949, dejando extintas a las Indias Orientales Holandesas. ( Artículo completo... )
  • The Amsterdam Tournament (Dutch: Amsterdam Toernooi) was a pre-season association football competition, held in Amsterdam, Netherlands. The competition was hosted by Eredivisie club Ajax at the Amsterdam Arena. It was inaugurated in 1975 as the Amsterdam 700 Tournament to celebrate 700 years of history in the city. It was held annually each summer until 1992, when the last edition of the original tournament was played. It returned in 1999 with the backing of the International Event Partnership (IEP). Four teams participate in the competition, played in a league format since 1986.

    Since its return, the tournament has used an unusual point scoring system. As with most league competitions, three points are awarded for a win, one for a draw and zero for a loss. An additional point, however, is awarded for each goal scored. The system is designed to reward teams that adopt a more attacking style of play. Each entrant plays two matches, with the winner being the club that finishes at the top of the table. The original competition was held at Amsterdam's Olympic Stadium, where Ajax played its international games until 1996. The Amsterdam Arena, now named the Johan Cruyff Arena, has played host to the event since the return until 2009. (Full article...)
  • A man with short hair and a white shirt is controlling a large camera. He is facing left.
    The Wong brothers (one pictured) were the first ethnic Chinese directors in the Indies.

    Twenty-nine people are recorded as having directed fictional films in the Dutch East Indies between 1926, when L. Heuveldorp released Loetoeng Kasaroeng, the colony's first domestically produced film, and 1949, when the Dutch formally recognised Indonesia's sovereignty after a four-year revolution, leaving the Dutch East Indies defunct. Thirteen directors active in the Indies continued to direct films after 1950, including Usmar Ismail: his 1950 film Darah dan Doa (The Long March) is generally considered the first truly Indonesian film.

    The colony's first directors, L. Heuveldorp and George Krugers, were of European or mixed descent. They were followed by ethnic Chinese soon after, when Nelson Wong made his debut in 1928 with Lily van Java; other Chinese directors included Lie Tek Swie (1929), Wong's brothers Joshua and Othniel (1930), and The Teng Chun (1931). Ethnic Chinese directors dominated the colony's cinema for the remainder of its existence. The first native director, Bachtiar Effendi, made his debut in 1932 with the talkie Njai Dasima; another native director would not appear until Andjar Asmara and Rd Ariffien made their debuts in 1940. (Full article...)
  • The Battle of Camperdown, painted by Philip de Loutherbourg in 1799.


    The Battle of Camperdown was an important naval action of the French Revolutionary Wars, fought off Camperduin on the North Holland coast on 11 October 1797 between a British fleet under Admiral Adam Duncan and a Dutch fleet under Vice-Admiral Jan de Winter. The French Republic had overrun the Dutch Republic two years earlier, reforming it into the Batavian Republic. In early 1797, the Batavian Navy was ordered to sail to Brest and unite with the French Atlantic Fleet in preparation for an invasion of Ireland. Shortly afterwards, the British fleets were paralysed by the Spithead and Nore mutinies, in which the sailors refused to take their ships to sea until they were awarded better pay and conditions. For two months[citation needed], the English Channel was undefended, but the Dutch failed to take the opportunity to sail from their harbour in the Texel: their preparations were not complete, and a small squadron of loyal British ships under Duncan convinced de Winter that the British fleet was at sea by sending nonsensical signals to fictitious ships over the horizon.

    By October 1797, the plan to attack Ireland had been abandoned and the British North Sea Fleet was again at full strength. During a brief period replenishing supplies at Yarmouth, news reached Duncan on 10 October that the Dutch had sailed on a raiding cruise[citation needed] and he returned to the Dutch coast, intercepting de Winter's fleet on its way back to the Texel. The Dutch formed a line of battle in shallow coastal waters to meet Duncan's attack, which was conducted in a confused mass, the British fleet separating into two groups that struck the vanguard and rear of the Dutch fleet, overwhelming each in turn and capturing eleven ships, including de Winter's flagship Vrijheid. On the return journey, three of the captured ships were lost, and none of the surviving Dutch prizes was ever suitable for active service again[citation needed]. Both sides suffered heavy casualties during the battle as each fleet had been trained to aim at the hulls of their opponents, maximising the damage to personnel. (Full article...)
  • This page is a list of films that received the Golden Film since its introduction in 2001 by the Netherlands Film Festival and the Netherlands Film Fund. In 2001 and 2002, films from the Netherlands received the award once they had sold 75,000 tickets. From 2003 to date, the Golden Film is awarded to films from the Netherlands once they have sold 100,000 tickets. This page shows, for both audience criteria, which films received the Golden Film and how soon they received it after their releases.

    In the following tables, the 'year' column contains the years in which the films received the Golden Film, the '#' column contains the number of the Golden Film, the 'film title' column contains the titles of the receiving films, the 'film release' column contains the dates on which the films were first released in the cinemas, and the 'Golden Film' column contains the days when the Netherlands Film Festival and the Netherlands Film Fund announced that the receiving films reached the audience criterion of the Golden Film. (Full article...)
  • Twenty-two people are recorded as having produced fictional films in the Dutch East Indies between 1926, when L. Heuveldorp released Loetoeng Kasaroeng, the colony's first domestically produced film, and 1949, when the Dutch formally recognised Indonesia's sovereignty after a four-year revolution, leaving the Dutch East Indies defunct. Altogether, they are credited for 93 of all known films produced in the Indies, and four of them remained active after independence. All were men; the first female film producer in Indonesia, Ratna Asmara, produced her first film in 1953.

    The colony's first producer, Heuveldorp, was of European descent. He was followed in 1928 by the ethnic Chinese businessmen Tjan Tjoen Lian and Liem Goan Lian, who began work on Lily van Java but soon pulled out, to be replaced by David Wong. By 1930 Chinese producers had dominated the industry. The most active of these, The Teng Chun, made his debut in 1931 with Boenga Roos dari Tjikembang; he would go on to produce another 27 films before independence. No native Indonesian film producers are recorded from this period, although several productions were credited only to companies. (Full article...)
  • Since 1 January 2023, there have been 342 regular municipalities (Dutch: gemeenten) and three special municipalities (bijzondere gemeenten) in the Netherlands. The latter is the status of three of the six island territories that make up the Dutch Caribbean. Municipalities are the second-level administrative division, or public bodies (openbare lichamen), in the Netherlands and are subdivisions of their respective provinces. Their duties are delegated to them by the central government and they are ruled by a municipal council that is elected every four years. Municipal mergers have reduced the total number of municipalities by two-thirds since the first official boundaries were created in the mid 19th century. Municipalities themselves are informally subdivided into districts and neighbourhoods for administrative and statistical purposes.

    These municipalities come in a wide range of sizes, Westervoort is the smallest with a land area of 7.01 km2 (2.71 sq mi) and Súdwest-Fryslân the largest with a land area of 522.7 km2 (201.8 sq mi). Schiermonnikoog is both the least populated, with 982 people, and the least densely populated municipality at 23/km2 (60/sq mi). Amsterdam has the highest population with 918,117 residents as of January 2023, whereas The Hague is the most densely populated with a density of 6,827/km2 (17,680/sq mi). (Full article...)

Biografía seleccionada

Arjen Robben
Arjen Robben es un exfutbolista holandés que jugó como extremo en el Chelsea , el Real Madrid y el Bayern de Múnich . También formó parte de la selección nacional de fútbol de los Países Bajos y ha participado en la Eurocopa 2004 , la Eurocopa 2008 , la Eurocopa 2012 , la Copa Mundial de la FIFA 2006 , la Copa Mundial de la FIFA 2010 y la Copa Mundial de la FIFA 2014 .

Robben fue nombrado jugador del año del FC Groningen durante la temporada 2000-01 de la Eredivisie y Jugador Joven del Año de los Países Bajos durante su etapa en el PSV Eindhoven . También fue el Jugador del Mes de la FA Premier League durante el mes de noviembre de 2005 en el Chelsea FC .

Robben nació en la ciudad de Bedum , en la provincia de Groningen , Países Bajos, y se dedicó al fútbol desde muy joven. Comenzó a jugar en el club local VV Bedum. Robben se convirtió en un seguidor del método Coerver, creado y popularizado por el entrenador de fútbol holandés Wiel Coerver . La habilidad de Robben en el control del balón y el juego técnico de pies lo convirtieron en un jugador valioso, y rápidamente fue fichado por el club local FC Groningen.

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