Accademia Bizantina
El hecho de concentrarse en los siglos XVII y XVIII les ha permitido profundizar en un estilo interpretativo coherente con la estética musical barroca, sin por ello renunciar a la extraordinaria variedad de horizontes que se despliega entre Monteverdi y Spontini.
Actualmente, los miembros más frecuentes de la formación son: Alessandro Tampieri (concertino) y la chilena Ana Liz Ojeda con los violines barrocos, Diego Mecca con la viola, Stefano Demicheli con el órgano positivo, Tiziano Bagnati con el archilaúd, Dantone al clave,[11] Alessandro Palmeri y Paolo Ballanti con los violonchelos barrocos, y Nicola Dal Maso con el contrabajo barroco.
Salzburgo, Rávena, Holstein y Lucerna se encuentran entre los más prestigiosos festivales en los que frecuentemente han participado.
what content is mine To see these trees, which have appear’d From the nativity of time, And which all ages have rever’d, To look today as fresh and green As when their beauties first were seen.
O, how agreeable a sight These hanging mountains do appear, Which th’ unhappy would invite To finish all their sorrows here, When their hard fate makes them endure Such woes as only death can cure.
That element of noblest wit, Where I have learnt Apollo’s lore, Without the pains to study it.
For thy sake I in love am grown With what thy fancy does pursue; But when I think upon my own, I hate it for that reason too, Because it needs must hinder me From seeing and from serving thee.
