John F. Gavin (9 February 1874 – 6 January 1938) was a pioneer Australian film actor and director, one of the early filmmakers of the 1910s. He is best known for making films about bushrangers such as Captain Thunderbolt, Captain Moonlite, Ben Hall and Frank Gardiner. Known informally as 'Jack', Gavin worked in collaboration with his wife Agnes, who scripted many of his films.
Film historians Graham Shirley and Brian Adams have written; "although Gavin was prolific his later surviving work shows that his entrepreneurial talent outweighed any he might have had as director."[1]
Amongst several claims made later in life or soon after his death was one that he had made Australia's first animated short, an advertising film which featured a koala "lapping up a cough remedy".[2]
Biography
John F. Gavin was born in Sydney on 9 February 1874, the eldest child of Francis Gavin and Catherine (née O'Brien).[3] Gavin later claimed he worked for a circus as a ten-year-old.[4] He moved to the country and worked as a cattle drover, being involved in a record cattle drive from Camooweal in Queensland to Adelaide. "A man of fine physique and imposing presence"[5] he served for a time in the Sydney Lancers as the captain of a squadron. He was interested in acting and received an offer to join the touring company of Bland Holt. He stayed with them for a number of seasons, then travelled to the USA where he worked with Barnum and Bailey's Circus, and Buffalo Bill's Wild West Show.[5] He married Agnes in 1898.[6]
Gavin returned to Australia and organised his own Wild West Show which was successful at the Melbourne Cyclorama, although he experienced a number of legal troubles.[7][8] Gavin eventually had a company of 150 before moving into filmmaking. In 1908, he started managing theatres which he did for the next few years.[9][10]
Filmmaking debut
His debut feature was about Thunderbolt, produced by H. A. Forsyth, and its success launched his career.[11] As one writer later put it:
With the aid of a gallant, if small, company of triers, including Mrs. Gavin as scenario writer and leading lady, and himself as leading juvenile, he turned out several films dealing with the convict and bushranging eras. There were no such things as studios then, and all scenes, exteriors and interiors, had to be shot in the open with Old Sol supplying the light. The results were considered quite satisfactory, and the pictures made money.[12]
He followed this up with Moonlite and by February 1911 it was written that "more film has been used over Jack Gavin than over any other Australian biograph actor."[13] He was described as "the beauteous bushranger".[14]
A newspaper profile attributed the success of Gavin's bushranging films to two main factors: the quality of horsemanship in them, and the fact they were normally shot on the real locations where the events occurred.[5]
Another writer stated in 1911 that "The pictures already turned out by Mr. Gavin demonstrates that in bio graphic art Australian producers are in no way behind their European and American brothers. Clearness in detail and execution, with the cleverly-constructed stories by Agnes Gavin enable Mr. Gavin to offer attractive films."[15]
A newspaper wrote a ballad about Gavin:
He played as Ben Hall, Moonlight too.
He's also played with Holt.
And on the screen he's to be seen.
Dressed up as Thunderbolt.
Whilst acting he has cried,'Bail up'.
And put the tops to rout;
In fact, he knows more bail up
Than some chaps are bailed out.
He poses as a cut-throat fierce,
With pistols and a frown;
But looks a harmless sort of cuss
When strutting round the town.[16]
Gavin's films were also often accompanied by popular lecturer Charles Woods.[12]
His first two movies were made for H.A. Forsyth at Southern Cross Motion Pictures but he and Forsyth had a falling out and Gavin went his separate way, publicly announcing the fact in January 1911.[17][18]
In July 1911 he set up his own company, the Gavin Photo Play Company, based out of Waverley.[19]
He was involved in the formation of the Australian Photo-Play Company but then established his own production company in October 1911.[20][21] Gavin later said
I did not favour the idea [fo the APP] particularly, as they were introducing two more producers, and I did not think the time was quite ripe for such expansion. As it was, we were all making good money, but the extra people coming in would make the overhead absorb all this; so I pulled out and received a cash price for a parcel of shares, sold out my interest in the four films I had made, and started out on my own as the John F. Gavin Productions.[22]
In 1912 Gavin was arrested for owing money to a business associate, though he was later released.[23]
In January 1917 he took out a lease on a studio at North Sydney and announced plans for make four feature films over a year, starting with The Murder of Captain Fryatt.[24] He also started up a film school[25] and spoke of offers from America.[26]
Gavin was also credited as directing the first Australian advertising short film, a koala using a cough syrup.[27]
Move to the US
Making movies in Australia was becoming increasingly difficult for him so Gavin moved to Hollywood, where he lived for eight years in all, appearing in what he claimed were over 300 films[28] and becoming a friend of Lon Chaney[29]Rudolph Valentino and Stan Laurel.[30]
Gavin claimed he helped popularise the drinking of tea in Hollywood.[30]
Return to Australia
He returned to Australia in February 1922 to make several outback films,[31] including a serial based on Ned Kelly, and set up a company in Brisbane,[32][33] but faced censorship problems and could not raise the capital.
He went back to Hollywood in May 1923, then returned to Australia in 1925.[34]
He was described as "a big man with a generous and naive personality... more enthusiasm and stubborn persistence than talent."[36] Towards the end of his life he lived in a flat in Neutral bay and suffered from rheumatism.[30]
He died in 1938 survived by Agnes and their daughters.[37] A child had predeceased him in 1917.[38]
The Lubra's Revenge – announced to follow Drover's Sweetheart in 1911[19]
The White Hope – announced November 1911[40] – a boxing story where Gavin would play a character who fights an aboriginal[41] (according to a contemporary article in the film "the Australian aboriginal will be shown in quite a new light, and though we are not at liberty to disclose the plot just yet, we can safely say that it will outrival the well known Red Indian dramas.")[41]
story of Russian life in World War I[42]
The Birth of Australia (1916) – a look at the history of Australia from the landing of Captain Cook at Botany Bay onwards[43] – Gavin blamed the delay of this on war taxes and expressed interest in making the film in California[44]
The Song That Reached My Heart (1916) starring Vera Amee[45]
The Black Snake – a 15-part serial set in the Australian bush (1917)[46]
film starring Arthur Shirley with location shooting in Hawaii[47]
Professor Fenton's Circus and Buck Jumping Show (1907)[53]
Deadwood Dick by Capt Jack Gavin's Wild West Dramatic Company (1907)[54]
References
^Graham Shirley and Brian Adams, Australian Cinema: The First Eighty Years, Currency Press, 1989, p39
^Australian Movie Pioneers, The Bulletin (Sydney), Vol. 60 No. 3077 (1 February 1939), page 38.
^Family records, Ancestry.com.
^"FAMOUS AUSTRALIAN RETURNS". Murray Pioneer and Australian River Record. Renmark, SA. 23 December 1927. p. 10. Retrieved 3 October 2013 – via National Library of Australia.
^"AN AUSTRALIAN PRODUCER". The Arrow. Sydney. 12 August 1916. p. 3. Retrieved 13 September 2013 – via National Library of Australia.
^ a b"To Pana's Page On Passing and Past Shows". The Referee. Sydney. 1 July 1931. p. 24. Retrieved 13 September 2014 – via National Library of Australia.
^"GENERAL GOSSIP". The Referee. Sydney. 15 November 1911. p. 16. Retrieved 13 November 2014 – via National Library of Australia.
^"THEATRICAL TIT-BITS". Sydney Sportsman. Surry Hills, NSW. 8 February 1911. p. 3. Retrieved 15 February 2016 – via National Library of Australia.
^"Advertising". The Referee. Sydney. 4 January 1911. p. 16. Retrieved 3 October 2013 – via National Library of Australia.
^"Advertising". The Referee. Sydney. 4 January 1911. p. 16. Retrieved 31 March 2015 – via National Library of Australia.
^ a b"Advertising". The Referee. Sydney. 19 July 1911. p. 16. Retrieved 3 October 2013 – via National Library of Australia.
^"Advertising". The Referee. Sydney. 4 October 1911. p. 16. Retrieved 15 February 2016 – via National Library of Australia.
^"AN AUSTRALIAN PRODUCER". The Arrow. Sydney. 12 August 1916. p. 3. Retrieved 3 October 2013 – via National Library of Australia.
^"When the Australian-Produced Picture Made Big Money.", Everyones., 3 (166 (9 May 1923)), Sydney: Everyones Ltd, nla.obj-562121240, retrieved 25 February 2024 – via Trove
^"PICTURE SHOW PRANKS". The Truth. Sydney. 25 August 1912. p. 11. Retrieved 24 June 2015 – via National Library of Australia.
^"TRADE NOTES". The Mirror of Australia. Sydney. 6 January 1917. p. 12. Retrieved 3 October 2013 – via National Library of Australia.
^"The Miniature Picture Campaign". The Freeman's Journal. Sydney. 15 November 1917. p. 15. Retrieved 3 October 2013 – via National Library of Australia.
^"TRADE NOTES". The Mirror of Australia. Sydney. 7 April 1917. p. 14. Retrieved 3 October 2013 – via National Library of Australia.
^ a b"AUSTRALIANA". The World's News. Sydney. 1 January 1949. p. 21. Retrieved 15 February 2016 – via National Library of Australia.
^"THE FILM TRADE". Maitland Weekly Mercury. NSW. 22 October 1927. p. 16. Retrieved 3 October 2013 – via National Library of Australia.
^'THE LATE LON CHANEY AUSTRALIAN PAYS TRIBUTE TO DEPARTED M-G-M STAR', Northern Standard (Darwin), Friday 14 November 1930 p 1
^ a b c""Modern Talkies Lacking In Action and Punch"". The Mail. Adelaide. 18 September 1937. p. 8. Retrieved 15 February 2016 – via National Library of Australia.
^"From Tram Guard to Film Actor". The Evening News. Sydney. 21 April 1922. p. 6. Retrieved 3 October 2013 – via National Library of Australia.
^"PERSONAL". The Brisbane Courier. 11 November 1922. p. 23. Retrieved 3 October 2013 – via National Library of Australia.
^"Advertising". The Brisbane Courier. 21 November 1922. p. 16. Retrieved 3 October 2013 – via National Library of Australia.
^Everyones, Everyones Ltd, 1920, retrieved 18 June 2018
^"QUOTA URGED". The Brisbane Courier. 18 October 1927. p. 6. Retrieved 25 February 2012 – via National Library of Australia.
^Andrew Pike and Ross Cooper, Australian Film 1900–1977: A Guide to Feature Film Production, Melbourne: Oxford University Press, 1998, 11.
^"Family Notices". The Sydney Morning Herald. 20 January 1938. p. 10. Retrieved 3 October 2013 – via National Library of Australia.
^"Family Notices". The Sydney Morning Herald. 12 September 1917. p. 8. Retrieved 3 October 2013 – via National Library of Australia.
^"LLOYD COMEDY AT THREE CITY THEATRES". The Sunday Times. Sydney. 1 May 1927. p. 24. Retrieved 3 October 2013 – via National Library of Australia.
^"Advertising". The Referee. Sydney. 29 November 1911. p. 16. Retrieved 3 October 2013 – via National Library of Australia.