David Vaughan Thomas or David Vaughan-Thomas[1] (15 March 1873 – 15 September 1934), born David Thomas,[2] and known also by his bardic namePencerdd Vaughan,[3] was a composer, organist, pianist and music administrator. His compositions are deeply influenced by the musical and literary traditions of his native Wales. Though his music is now little performed he has been described as "the leading native Welsh musician of [his] time"[4] and as "one of the most important composers in the transitional period of Welsh music from the Victorian era to our own times".[5] The broadcaster Wynford Vaughan-Thomas was his son.
Life
The plaque which could until recently be seen at 141 Walter Road, Swansea, Thomas's home.[3][6]
He moved back to Wales and became a member of the Gorsedd at the 1911 National Eisteddfod, taking the additional surname Vaughan on this occasion.[2] He subsequently acted as adjudicator, and was Chief Musical Advisor for the 1926 National Eisteddfod in Swansea.[8] In 1919 he applied for the post of Music Director of the University of Wales, but controversially the decision was made to appoint Walford Davies instead.[5][2] Vaughan Thomas was a man of many talents. Apart from his mathematical gifts he was a poet, a scholar,[10] a pianist,[4] wrote articles and reviews for the magazine Welsh Outlook and for several music journals,[3] produced a report on the teaching of music in Welsh schools,[11] lectured, and acted as organist of Mount Pleasant Baptist Chapel, Swansea.[8] In 1927 he was made overseas examiner for Trinity College, London, and in this capacity he travelled to several Commonwealth countries.[12] It was on one such tour in South Africa that he died in Johannesburg.[13]
Music
Vaughan Thomas's music developed out of an early Victorianism[5] (some of his songs have been compared to those of Schubert and Brahms)[14] into a national style inspired by Welsh literature and folklore[2][15] and by the musical traditions of his country, such as penillion singing and the use of the harp for accompaniment.[8] His settings of Welsh poems adapt the traditional metres with great sensitivity.[16] His mature style has been described as "fastidious and cultivated",[17] and as being marked by a strong sense of harmony and careful craftsmanship.[8]
His most notable compositions are considered to be his choral works Llyn y Fan (performed at the 1907 National Eisteddfod), A Song for St Cecilia's Day (performed at Queen's Hall, London, 1909) and The Bard (a setting of the poem by Thomas Gray, performed at Queen's Hall, London, 1912);[13][18] also his songs to texts by George Meredith (performed at the 1922 Three Choirs Festival) and his settings of cywyddau.[14] There are in addition many partsongs, anthems, hymns, chamber pieces, and folksong arrangements.[5]
Vaughan Thomas's music has become a rarity in the concert hall. His song "Ysbryd y Mynydd" and his Saith o Ganeuon ar Gywyddau Dafydd ap Gwilym ac Erail (Seven songs on poems in cywydd metre by Dafydd ap Gwilym and others), praised in the 1950s for their originality and scholarship, remained popular long after his death,[14][16][2] but most of his works were no longer played by the 1980s.[19]
Saith o ganeuon ar gywyddau Dafydd ap Gwilym ac eraill (Various) (c. 1923). Contents: "Y Nos", "Y Gwlith", "Miwsig", "Elen", "Dau Filgi", "Claddu'r Bardd o Gariad", "Hiraeth am yr Haf"
Y Bwthyn Bach To Gwellt (Thomas Lloyd) (c. 1923)
Dirge in Woods (George Meredith) (1924)
Dwy Gân i Fariton (Wiliam Llŷn, Robert Ellis) (1926). Contents: "O Fair Wen", "Berwyn"
^Who Was Who 1981–1990: A Companion to Who's who, Containing the Biographies of Those Who Died During the Decade 1981–1990. London: A. & C. Black. 1991. p. 776. ISBN 0713633360. Retrieved 11 February 2021.
^ a b c d e fVaughan Thomas & Chambers 1959.
^ a b c dMacBean 1921, p. 153.
^ a bJames & Allsobrook 1995, p. 5.
^ a b c dAnonymous n.d.
^Wilson-Watkins, Charles (March 2019). "Tarmac and its Swansea connection". The Bay. Swansea. Retrieved 11 February 2021.
^Cleaver 1968, pp. 55–56.
^ a b c d e fCrossley-Holland 1954, p. 694.
^"Thomas, (Lewis John) Wynford Vaughan-". Oxford Dictionary of National Biography (online ed.). Oxford University Press. doi:10.1093/ref:odnb/40169. (Subscription or UK public library membership required.)
^Cleaver 1968, p. 55.
^Griffith, D. M. (March 1919). "A Vital Report". The Welsh Outlook. 6 (3): 78. Retrieved 13 February 2021.
^"Vaughan Thomas, David, 1873–1934". NLW Archives and Manuscripts. Llyfrgell Genedlaethol Cymru/The National Library of Wales. n.d. Retrieved 11 February 2021.
^ a bAnonymous 1934.
^ a b cCleaver 1968, p. 57.
^Stephens, Meic, ed. (1998). The New Companion to the Literature of Wales. Cardiff: University of Wales Press. p. 710. ISBN 0708313833. Retrieved 11 February 2021.
^ a bParrott 1969, p. 59.
^Davies et al. 2008, p. 861.
^Davies et al. 2008, p. 581.
^Burke, John Frederick (1983). Musical Landscapes. Exeter: Webb & Bower. p. 151. ISBN 0906671604. Retrieved 11 February 2021.
References
Anonymous (October 1934). "Obituary". The Musical Times. 75 (1100): 944. JSTOR 918499.{{cite journal}}: CS1 maint: date and year (link)
Anonymous (n.d.). "David Vaughan Thomas (1873–1934)". Discover Welsh Music. Tŷ Cerdd/Music Centre Wales. Retrieved 10 February 2021.
Cleaver, Emrys (1968). Musicians of Wales: An Account of the Lives and Work of the Major Musicians of Wales in the Nineteenth Century and into the Twentieth. Ruthin: John Jones. Retrieved 10 February 2021.
Crossley-Holland, Peter (1954). "Vaughan Thomas, David". In Blom, Eric (ed.). Grove's Dictionary of Music and Musicians. Volume VIII: Sp–Vio. London: Macmillan. pp. 694–695. ISBN 0333191749. Retrieved 9 February 2021.
James, Beryl Bowen; Allsobrook, David Ian (1995). First in the World: The Story of the National Youth Orchestra of Wales. Cardiff: University of Wales Press. ISBN 0708312969. Retrieved 11 February 2021.
MacBean, Lachlan, ed. (1921). The Celtic Who's Who: Names and Addresses of Workers Who Contribute to Celtic Literature, Music or Other Cultural Activities, Along with Other Information. Kirkcaldy: Fifeshire Advertiser. Retrieved 9 February 2021.
Parrott, Ian (1969). The Spiritual Pilgrims. Llandybie: Christopher Davies. ISBN 9780783773025. Retrieved 10 February 2021.
Vaughan Thomas, Arthur Spencer; Chambers, Llewelyn Gwyn (1959). "Thomas, David Vaughan (1873–1934), musician". Y Bywgraffiadur Cymreig/Dictionary of Welsh Biography. Llyfrgell Genedlaethol Cymru/National Library of Wales. Retrieved 10 February 2021.
External links
Vaughan Thomas's Saith o Ganeuon sung by York Bowen
Vaughan Thomas's Allegro vivace played by Zoë Smith