Wes Craven's New Nightmare (also known simply as New Nightmare) is a 1994 American meta supernatural horror film written and directed by Wes Craven, creator of 1984's A Nightmare on Elm Street. A standalone film and the seventh installment in the A Nightmare on Elm Street franchise, it is not part of the same continuity as previous films, instead portraying Freddy Krueger as a fictional movie villain who invades the real world and haunts the cast and crew involved in the making of the films about him. In the film, Freddy is depicted as closer to what Craven originally intended, being much more menacing and less comical, with an updated attire and appearance. The film stars Robert Englund, Heather Langenkamp, Miko Hughes, and John Saxon.
The film features various people involved in the motion picture industry portraying themselves, including Langenkamp, who is compelled by events in the narrative to reprise her role as Nancy Thompson. New Nightmare features several homages to the original film such as quotes and recreations of the most famous scenes. The film won an International Fantasy Film Award from Fantasporto for Best Screenplay by Craven.
New Nightmare was released on October 14, 1994, grossing $19.8 million at the box office on a budget of $8 million, making it the lowest-grossing film in the Nightmare series. However, it received positive reviews from critics, and is considered by many as one of the best Nightmare movies and one of Wes Craven's most enduring films.[4][5][6][7][8][9] It was followed by 2003's Freddy vs. Jason, a crossover with the Friday the 13th franchise set in the same continuity as the other Nightmare films.
Heather Langenkamp lives in Los Angeles, California, with her husband, Chase, and their young son, Dylan. She is recognized for her role as Nancy Thompson in the A Nightmare on Elm Street film series. One night, she has a nightmare in which her family is attacked by a set of animated Freddy Krueger claws from an upcoming Nightmare film. Waking up to an earthquake, she notices a cut on Chase's finger similar to the one he had in her dream.
Heather receives frequent creepy phone calls from an obsessed fan who quotes Freddy Krueger's nursery rhyme in Freddy's voice. This coincides with a meeting with New Line Cinema, where she is asked to reprise her role as Nancy in a new Nightmare film. At home, Dylan has a traumatizing fit about Freddy. As Chase drives home from work, he falls asleep at the wheel and is slashed to death by Freddy's claws. After his funeral, Heather has another Freddy nightmare, and her friend and former co-star, John Saxon, who played her father in the films, suggests she seek medical attention for Dylan.
Dylan's health deteriorates as he becomes increasingly scared of Freddy and paranoid about going to sleep. Heather visits Nightmare creator Wes Craven, who admits to having precognitive nightmares. He explains that the films had kept trapped an ancient supernatural entity, which has been freed after the series ended with the release of Freddy's Dead: The Final Nightmare. In the guise of Freddy, the entity is focusing on Heather, its primary foe, as killing her will allow it into the real world. Thus, Heather must agree to play Nancy again to stop it. Heather catches a glimpse of Wes's script, which, inexplicably, is a written play-by-play of every dialogue and action she and everyone around her are taking. Robert Englund, who portrayed Freddy in the films, also appears to suffer nightmares and be haunted by the new Freddy, disappearing when Heather tries to contact him.
Heather takes Dylan to the hospital and returns home for his stuffed dinosaur while his babysitter, Julie, keeps watch. After Dylan falls asleep from the nurse's sedative, Freddy brutally kills Julie. Sleepwalking, Dylan leaves the hospital, and Heather chases him home as Freddy taunts them. She realizes that reality is overlapping with the films; Saxon now addresses her as Nancy and acts as Don Thompson, and her street, house, and clothes all transform into Nancy's. Once Heather embraces Nancy's role, Freddy emerges into reality and abducts Dylan to his world. Heather follows them to a hellish construct of Freddy's boiler room. After a fight, she and Dylan push Freddy into the furnace, destroying both the monster and its reality.
They emerge back into the real world from under his blankets, and Heather finds a copy of the events in Wes's screenplay. Inside is a note from Wes thanking her for defeating Freddy and playing Nancy one last time. Her victory helps imprison the entity once more.
Written under the working title A Nightmare on Elm Street 7: The Ascension, Wes Craven set out to make a deliberately more cerebral film than recent entries to the franchise—which he regarded as being cartoonish, and not faithful to his original themes. The basic premise originated when Craven first signed on to co-write Dream Warriors, but New Line Cinema rejected it then.[10]
In New Nightmare, Krueger was portrayed closer to what Craven had imagined: darker and less comical.[11] To reinforce this, the character's make-up and outfit were enhanced, with one of the most prominent differences being that he now wears a long blue/black trenchcoat. In addition, the signature glove was redesigned for a more organic look, with the fingers resembling bones and having muscle textures in between.[12] While Robert Englund again plays the character, "Freddy Krueger" is credited as "Himself" in the end credits.
While earthquake scenes were already written into the film from the beginning, production of the film happened to take place concurrently with the 1994 Northridge earthquake in Los Angeles. As such, the production team decided to incorporate real footage of the earthquake's structural damage into the film.[13]
Craven had intended to ask Johnny Depp, whose feature film debut was in the first film, to make an appearance as himself, but was too timid to ask him. Upon running into each other after the film's release, Depp said he would have been happy to do it had Craven asked.[10]
Craven kept most of the wardrobe from the first film as souvenirs before New Line Cinema threw them all away, and reused some of it for New Nightmare.[14]
Both New Line Executive Sara Risher and director Craven said that the shoot was relatively easy and free from complications. Reflecting on the filming in Never Sleep Again some sixteen years after the movie was released, Risher commented "all of the other directors had to be guided through but Wes by then was the master". The film's self-referential style would be explored further in the 1996 film Scream, also directed by Craven.
The film was made for the celebration of the 10th anniversary of the original film's release. Both New Nightmare and the 1995 comedy film Tommy Boy were dedicated to the production designer of A Nightmare on Elm Street, Gregg Fonseca (1952 - 1994), who died shortly before the release of New Nightmare.
This film was released on VHS by New Line Home Video on January 27, 1995. The DVD for the film was released on August 22, 2000, by New Line Home Entertainment.
On the film's opening weekend it made $6.6 million, ranking third at the box office. It went on to gross $19.8 million worldwide, making it the poorest-performing film in the A Nightmare on Elm Street film series. In the 2010 documentary Never Sleep Again, it is suggested that the film opening against Pulp Fiction may also have damaged its potential box office.
On review aggregator Rotten Tomatoes, 79% of 42 reviews are positive, with an average rating of 6.4/10. The website's critics consensus reads: "Wes Craven's New Nightmare adds an unexpectedly satisfying - not to mention intelligent - meta layer to a horror franchise that had long since lost its way."[15] On Metacritic, the film has a weighted average score of 64 out of 100 based on 21 critics, indicating "generally favorable reviews".[16] Several critics have subsequently said that New Nightmare could be regarded as a prelude to the Scream series[17]—both sets of films deal with the idea of bringing horror films to "real life", and both were directed by Wes Craven.
Roger Ebert of the Chicago Sun-Times gave New Nightmare three stars out of four and said, "I haven't been exactly a fan of the Nightmare series, but I found this movie, with its unsettling questions about the effect of horror on those who create it, strangely intriguing."[18][19] Ebert's review partner Gene Siskel was less complimentary of the film, giving it a thumbs-down rating on Siskel & Ebert and stating that it was "campy" and he did not find Freddy a particularly compelling villain.
Entertainment Weekly's Owen Gleiberman gave New Nightmare a negative review, stating: "After a good, gory opening, in which Freddy's glove—newly designed with sinews and muscles—slashes the throat of the special-effects guy who's been working on it, the movie succumbs to a kind of sterile inertia. Wes Craven's New Nightmare isn't about Freddy haunting a film set, which actually might have been fun. It's about Heather Langenkamp, star of the original Nightmare on Elm Street, being menaced for two long, slow hours by earthquakes, cracks in the wall, and other weary portents of doom." Gleiberman described the film as "just an empty hall of mirrors" that "lacks the trancelike dread of the original" and the "ingeniously demented special effects" of Dream Warriors.[20] In a retrospective review, Vinnie Mancuso from Collider singled out the film as "Craven's meta-horror masterpiece".[21] Kevin Sommerfield from the horror website Slasher Studios gave it four out of four stars and said, "New Nightmare is that rare horror film in which everything works. The performances are pitch perfect, led by a tour-de-force performance by the amazing Langenkamp. The script has many twists and turns and the movie is quite possibly the best looking of the entire series."[22]
New Nightmare is Robert Englund's favorite Nightmare movie:
"I think it stands the test of time, a fun reunion with original cast members like Heather and John Saxon. Wes's script is clever and original, the self-referencial horror story."[23]
Heather Langenkamp is also very supportive of the movie, saying:
"I was just really shocked that I was in the movie so much, I had totally forgotten I was the star of that movie. It was interesting because all my scenes are kind of alone, and I was acting against this tension and this idea of Freddy that we all had at that time. We all knew what I was afraid of and that Freddy might be back, but you never really saw Freddy that much, and I was really amazed that the movie was about Wes [Craven] creating this relationship with that idea that Freddy is here, and the audience has it too. It's a really interesting concept, and it's one of the only horror movies where the monster's really in the background, at least until the end. But it's all about our mentality about fear."[24]
