Lista de murales de oficinas de correos de Estados Unidos
Public artworks created 1934–1943
Esta es una lista de murales de las oficinas de correos de los Estados Unidos , producidos en los Estados Unidos desde 1934 hasta 1943 a través de encargos de la División de Adquisiciones del Departamento del Tesoro de los Estados Unidos . El objetivo principal de los murales de las oficinas de correos de los Estados Unidos era conseguir obras de arte que cumplieran con altos estándares artísticos [1] para edificios públicos, donde fueran accesibles para todas las personas. [2] Los murales tenían la intención de levantar la moral del pueblo estadounidense que sufría los efectos de la Depresión al representar temas alentadores que la gente conocía y amaba. [3] Los murales producidos a través de la Sección de Pintura y Escultura del Departamento del Tesoro (1934-1943) se financiaron como parte del costo de la construcción de nuevas oficinas de correos, y el 1% del costo se destinó a mejoras artísticas. [4] Los murales se encargaron a través de concursos abiertos a todos los artistas de los Estados Unidos. [5] Casi 850 artistas recibieron el encargo de pintar 1371 murales, la mayoría de los cuales se instalaron en oficinas de correos; [4] 162 de los artistas eran mujeres y tres eran afroamericanos . [4] El Treasury Relief Art Project (1935-1938), que proporcionó decoración artística para los edificios federales existentes, produjo un número menor de murales de la oficina de correos. [1] TRAP se estableció con fondos de la Works Progress Administration . La Sección supervisó la producción creativa de TRAP y seleccionó un artista maestro para cada proyecto. Luego, el artista eligió a los asistentes de las listas del WPA Federal Art Project. [6] : 62–63
Se pidió a los artistas que pintaran en un estilo de "escena americana", retratando a ciudadanos comunes de una manera realista . Se desaconsejaron los estilos de arte abstracto y moderno . También se alentó a los artistas a producir obras que fueran apropiadas para las comunidades donde se iban a ubicar y a evitar temas controvertidos. [5] La Sección examinó de cerca los proyectos en cuanto a estilo y contenido, y los artistas recibieron su pago solo después de que se aprobara cada etapa del proceso creativo. [6]
La Sección y el Treasury Relief Art Project fueron supervisados por Edward Bruce , quien había dirigido el Public Works of Art Project (1933-1934). Eran programas de obras públicas impulsados por encargo que empleaban artistas para embellecer los edificios del gobierno estadounidense, estrictamente sobre la base de la calidad. [2] [6] : 58–59 Esto contrasta con la misión de trabajo-alivio del Federal Art Project (1935-1943) de la Works Progress Administration, el más grande de los proyectos de arte del New Deal. Tan grande fue su alcance e impacto cultural que el término "WPA" a menudo se usa erróneamente para describir todo el arte del New Deal, incluidos los murales de la oficina de correos de EE. UU. [2] [6] : 63–64 "Obra de arte del New Deal" es un término más preciso para describir las obras de arte creadas bajo los programas de arte federales de ese período. [7]
Los murales son objeto de esfuerzos por parte del Servicio Postal de los Estados Unidos para preservarlos y protegerlos. Esto es particularmente importante y problemático ya que algunos de ellos han desaparecido o se han deteriorado. Algunos están escondidos en edificios que valen mucho menos que la obra de arte. [8]
Alabama
[9] [10]
Alaska
[9] [13]
Arizona
[17] [18]
Arkansas
[9] [20]
California
[9] [22]
Colorado
[35] [37] Una revisión de los murales en las oficinas de correos de Colorado encontró que no había frescos, sino que todos habían sido pintados sobre lienzo. [38]
Connecticut
[35] [39]
Delaware
[35] [41]
Distrito de Columbia
[9] [42]
Florida
[9] [45]
Georgia
[9] [47]
Hawai
[55]
Idaho
[56] [57]
Illinois
[62] [63] [64]
Indiana
[9] [67] [68]
Iowa
[9] [69]
Kansas
[9] [71]
Varias oficinas de correos de Kansas fueron incluidas en el Registro Nacional en función de sus murales, como parte de un estudio de "Oficinas de correos de Kansas con obras de arte, 1936-1942". [72]
Kentucky
[9] [77]
Luisiana
[9] [78]
Maine
[9] [80]
Maryland
[9] [83]
Massachusetts
[9][86]
Michigan
[9][87]
Minnesota
[9][93]
Mississippi
[9][94]
Missouri
[9][100]
Montana
[9][111]
Nebraska
[9][114]
Nevada
[9][119]
New Hampshire
[9][120]
New Jersey
[9][121][122][123]
New Mexico
[9][126][35]
New York
[129][130]
North Carolina
[35][134][135]
North Dakota
[9][136]
Ohio
[35][134][137]
Oklahoma
[35][134][145]A number of Oklahoma post offices were listed on the National Register as part of the " Oklahoma Post Offices with Section Art Multiple Property Submission", including those in Coalgate, Hollis, Madill, Nowata, and Watonga.
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^Gwen Faulkner; Barbara E. Mattick (March 1989). "National Register of Historic Places Registration: Old Perry Post Office / Perry Post Office". National Park Service. Retrieved November 13, 2017. With 14 photos, with the last being a photo of the mural.
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^"National Register of Historic Places Registration: Blackfoot Main Post Office". National Park Service. March 16, 1989. Retrieved January 11, 2017. with four photos
^Discovery, from Post Mark Collectors Club.
^Mine Disaster, from Smithsonian Institution.
^H.J. "Jim" Kolva; Steve Franks (August 1988). "National Register of Historic Places Inventory/Nomination: US Post Office-Preston Main / Preston Main Post Office". National Park Service. Retrieved October 23, 2017. With four photos.
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^Kansas Post Offices with Artwork, 1936--1942 MPS
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^Martha Hagedorn-Krass (December 16, 1988). "National Register of Historic Places Registration: Caldwell United States Post Office". National Park Service. Retrieved December 29, 2017. With three photos from 1987.
^Martha Hagedorn-Krass (February 28, 1989). "National Register of Historic Places Registration: Neodesha United States Post Office". National Park Service. Retrieved December 26, 2017. With four photos from 1987.
^Martha Hagedorn-Krass (March 1, 1989). "National Register of Historic Places Registration: Oswego United States Post Office". National Park Service. Retrieved December 19, 2017. With four photos from 1987.
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^James Martin, Jennifer Dobson, and Shannon Criss (June 4, 1998). "National Register of Historic Places Registration: Downtown Booneville Historic District". National Park Service. Retrieved April 21, 2017.{{cite web}}: CS1 maint: multiple names: authors list (link) With 22 photos from 1996-98 (post office exterior shown in photo #9).
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^Carol Ahlgren (August 1991). "National Register of Historic Places Registration: Geneva United States Post Office / FM05-126". National Park Service. Retrieved October 9, 2019. With accompanying three photos from 1989 (one of exterior, two of mural)
^Carol Ahlgren (August 1991). "National Register of Historic Places Inventory/Nomination: Hebron United States Post Office / TY10-008". National Park Service. Retrieved May 13, 2019. With accompanying three photos from 1989 (two with mural)
^Carol Ahlgren (August 1991). "National Register of Historic Places Inventory/Nomination: Minden United States Post Office / KN04-007". National Park Service. Retrieved May 6, 2019. With photos of mural and building from 1983
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^{{cite news }url=https://livingnewdeal.org/new-mural-unveiled-at-barnesville-post-office-in-ohio/ |title=New mural unveiled at Barnesville Post Office in Ohio |date=April 6, 2020 |website=The Living New Deal |access-date=December 19, 2022 }}
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^"Wisconsin New Deal Art". WPAmurals.com. Archived from the original on May 14, 2011. Retrieved April 1, 2015.
^Joan Rausch; Jovce McKay (August 29, 1988). "National Register of Historic Places Inventory/Nomination: Court Street Commercial Historic District". National Park Service. Retrieved March 7, 2018. With 40 photos (the last two show the post office and the mural).
^"Wyoming New Deal Art". WPAmurals.com. Retrieved April 1, 2015.
^"The Fertile Land Remembers | National Postal Museum".
^Adams, Katherine H.; Keene, Michael L. (2015). Women, Art and the New Deal. Jefferson, North Carolina: McFarland. p. 27. ISBN 978-1-4766-6297-8.
Further reading
Marling, Karal A. Wall-to-wall America: A Cultural History of Post-Office Murals in the Great Depression. Minneapolis: University of Minnesota Press, 1982.
Mecklenburg, Virginia M. The Public As Patron: A History of the Treasury Department Mural Program. College Park: University of Maryland, Dept. of Art, 1979.
Puschendorf, L. R. Nebraska's Post Office Murals: Born of the Depression, Fostered by the New Deal. Lincoln, NE: Nebraska State Historical Society, 2012.
Stevens, Robert L. and Jared A. Fogel. "Conflict and Consensus: New Deal Mural Post Office Art", National Social Science Journal, vol. 33, no. 2, 160–165.