Al obtener una beca el 2009 en la New School for Jazz and Contemporary Music, se trasladó a Nueva York en donde reside actualmente.
Primarily a collection of her springlike songs, with lyrics in English or Spanish, it also features an instructive choice of covers — by the Chilean artist-activist Víctor Jara, the Brazilian pop star Djavan, and the wily American tunesmiths Stephen Sondheim and Jon Brion.
Meza brings an appealing combination of lightness and depth to all the material, singing in a bright, clear voice against the agile stir of a first-rate band.
Her improvising, on electric or acoustic guitar, is serious business: On the title track, she fashions a solo of sleek, escalating momentum, in a style traceable to the postbop lodestar Kurt Rosenwinkel.
“There’s no end when love is real,” they suggest.