Princess from the Moon (竹取物語, Taketori Monogatari, lit. The Tale of the Bamboo Cutter) is a 1987 Japanese film directed by Kon Ichikawa. It is based on The Tale of the Bamboo Cutter, a 10th-century Japanese fairy tale about a girl from the Moon who is discovered as a baby inside the stalk of a glowing bamboo plant.[3][4]
One day bamboo cutter Taketori-no-Miyatsuko (Toshiro Mifune) discovers a baby girl while he is out in the forest, visiting his daughter's grave. Not wanting to leave the infant to die and because of her resemblance to his dead daughter, he takes the child home with him- only to discover that the child grows at an extraordinarily fast rate. Incredibly beautiful, the now grown child Kaya (Yasuko Sawaguchi) attracts the attention of everyone around her, including the land's Emperor. Unwilling to accept their advances, Kaya gives the men a list of increasingly difficult tasks. By the film's end Kaya returns to outer-space by way of a space ship.
The film was released as Toho's 55th Anniversary Film in 1987. Ichikawa noted that he had wanted to make this film for many years, and said his intention was to make it a "film of pure diversion".[5] The film was selected as the opening film of the Tokyo International Film Festival, where it was not well received by critics.[6] Toho promoted the film heavily, and it had the second highest theatrical returns of any film that year, but its financial performance did not equal that of Ichikawa's 1985 release Harp of Burma.[5]
A review in the Los Angeles Times stated: "You wonder awhile whether the moon girl is some wish-fulfillment dream of the subservient, unassertive Japanese women--here made into a god. Yet, like all legends, this one is capable of different inflections. Part of the film is a corrosive assault on brutal ruling classes and wily, opportunistic aristocrats, and it’s infused with the same qualities--idealism, social iconoclasm, artistry and almost unobtrusive visual beauty--that mark most of Ichikawa’s movies. And, if “Princess of the Moon” (Times-rated: Family) pales beside its American equivalents as a piece of special-effects pyrotechnics, it rises above most of them as a celebration of the power of love, the pull of fantasy and the beauty of innocence and moonlight."[7]
"Stay with Me" - Peter Cetera