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Premio de la Academia al mejor sonido

El premio de la Academia al mejor sonido es un premio de la Academia que reconoce la mejor o más eufónica mezcla de sonido , grabación, diseño de sonido y edición de sonido . El premio solía ir a los departamentos de sonido de estudio hasta que un cambio de reglas en 1969 dijo que debería otorgarse a los técnicos específicos, los primeros de los cuales fueron Murray Spivack y Jack Solomon por Hello, Dolly!. [ 1] Generalmente se otorga a los mezcladores de sonido de producción , mezcladores de regrabación y editores de sonido supervisores de la película ganadora. En las listas a continuación, el ganador del premio de cada año se muestra primero, seguido de los otros nominados. Antes de la 93.ª edición de los Premios de la Academia , Mejor mezcla de sonido y Mejor edición de sonido eran categorías separadas. [2]

En el segundo y tercer año de esta categoría (es decir, los 4.º y 5.º premios de la Academia ), solo se mencionaron los nombres de las compañías cinematográficas. El departamento de sonido de Paramount Publix Studio ganó en ambos años.

Ganadores y nominados

Década de 1930

Década de 1940

Década de 1950

Década de 1960

Década de 1970

Década de 1980

Década de 1990

Década de 2000

2010s

2020s

Multiple nominations and awards for Best Sound Mixing

Multiple awards and nominations for Best Sound Editing

Multiple awards

Multiple nominations

† = includes special achievement awards

Shortlisted finalists

Finalists for Best Sound are selected by the Sound Branch. Sound Branch members shall vote in order of their preference for not more than ten pictures to be considered for the Sound award. The ten motion pictures receiving the highest number of votes shall advance to the next round of voting.[6]

See also

Notes

  1. ^ a b These nominations were not associated with any individual film title.
  2. ^ a b c d e f This was presented as a Special Achievement Award, not competitively.
  3. ^ A tie in voting resulted in two winners.
  4. ^ Greg P. Russell was announced as a nominee for 13 Hours, but his nomination was rescinded by a vote of the Academy's Board of Governors on recommendation of the Sound Branch Executive Committee. Russell had violated a campaign regulation prohibiting telephone lobbying by calling his fellow members of the Sound Branch during the nominations phase to make them aware of his work on the film. No replacement nominee was named.

References

  1. ^ Koehler, Robert (May 8, 1999). "Pros play favorites". Variety.
  2. ^ Hammond, Pete (April 28, 2020). "Oscars Keeping Show Date But Make Big News As Academy Lightens Eligibility Rules, Combines Sound Categories, Ends DVD Screeners and More". Deadline Hollywood.
  3. ^ "Academy Awards 2017: Complete list of Oscar winners and nominees". Los Angeles Times. February 26, 2017. Retrieved January 8, 2018.
  4. ^ Calvario, Liz (February 25, 2017). "Academy Rescinds Sound Mixing Nomination for Greg P. Russell of '13 Hours'". Deadline Hollywood. Retrieved February 25, 2017.
  5. ^ "Academy Awards 2017: Complete list of Oscar winners and nominees". Los Angeles Times. February 26, 2017. Retrieved January 8, 2018.
  6. ^ "97TH ACADEMY AWARDS® OF MERIT" (PDF). Academy of Motion Picture Arts and Sciences. April 22, 2024. Retrieved June 22, 2024.
  7. ^ "94th Oscar Shortlists". Academy of Motion Picture Arts and Sciences. December 21, 2021. Retrieved June 22, 2024.
  8. ^ "95th Oscar Shortlists". Academy of Motion Picture Arts and Sciences. December 21, 2022. Retrieved June 22, 2024.
  9. ^ "96th Oscar Shortlists". Academy of Motion Picture Arts and Sciences. December 21, 2023. Retrieved June 22, 2024.