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Arneth Cantata, WAB 61

The Arneth Cantata, WAB 61, is a cantata composed by Anton Bruckner in 1852.

History

Bruckner composed the cantata for the name-day of Michael Arneth, the prior of the St. Florian Abbey. The piece was performed on 29 September 1852 on the evening before Arneth's name day.[1]

The original manuscript is stored in the archive of the St. Florian Abbey. A facsimile of the cantata was first published in band II/1, pp. 116–128 of the Göllerich/Auer biography.[1] It is put in Band XXII/1 No. 3a of the Gesamtausgabe.[2]

There are two other versions of this celebratory composition:

First version

Text

The first version of the cantata is using a text by Franz Ernst Marinelli.

Setting

The 123-bar long work, plus an 18-bar repeat, in D major is scored for SATTBB choir, and brass instruments (3 horns, 2 trumpets and bass-trombone).[1] The trombone functions mostly as bass voice of a horn quartet.[5]

The first version of the cantata (WAB 61a) is in seven movements:

  1. Heil Vater! Dir zum hohen Feste: six-voice SATTBB mixed choir (24 bars) - Bewegt
  2. An dreißig Jahre mögen's sein: TTBB men's choir a cappella (16 bars) - Mit Gefühl
  3. Drum bringen wir mit Jubel heut: six-voice mixed choir (18 bars) - Bewegt
  4. Des Herren Ruhm, des Hauses Kraft: men's choir a cappella (16 bars) - Mit Gefühl
  5. Drum bringen wir mit Jubel heut: six-voice mixed choir (18 bars) - part 3 da capo
  6. Du wirktest treu und bieder hier: men's choir a cappella (19 bars) - Andante
  7. Final Choir Sie bringen dir mit Jubel heut': six-voice mixed choir (30 bars) - Nicht zu geschwind[1][6]

This cantata, the first of three larger-scale occasional compositions,[7] is mostly conventionally diatonic and based on simple structures. Movements two and three are repeated as movements four (with a different text) and five (exact repetition). The work displays already some marks of Bruckner's style. Two horn passages, which recur frequently, provide as in later works musical unity.[5]

Second version

Text

The second version of the catata is using a new text by Franz Ernst Marinelli.

Setting

The second version of the cantata (WAB 61b) is in five movements:

  1. Auf, Brüder auf zur frohen Feier!: six-voice SATTBB mixed choir (25 bars) - Bewegt
  2. Wo ist das Herz, das Ihn nicht kennt: TTBB men's choir a cappella (19 bars) - Mit Gefühl
  3. Nein, nein die Hoffnung täuschet nicht: six-voice mixed choir (18 bars) - Bewegt
  4. Drum schlägt das Herz in froher Brust: men's choir a cappella (19 bars) - Andante
  5. Final Choir O Herr im Himmel siehe hier: six-voice mixed choir (30 bars) - Nicht zu geschwind

The repeat of movements two and three was eliminated. The opening section of the first choir was expanded from thirteen bars to fourteen, and last half of movement two was recomposed.[8] The shortened, second version is 111-bar long, plus an 11-bar repeat.

References

  1. ^ a b c d e C. van Zwol, p. 713
  2. ^ a b Gesamtausgabe – Kantaten und Chorwerke mit Orchester
  3. ^ U. Harten, pp. 66-67
  4. ^ U. Harten, p. 192
  5. ^ a b c W. K. Kinder, pp. 16-20
  6. ^ U. Harten, pp. 192-193
  7. ^ C. Howie,Chapter II, pp. 22-23
  8. ^ W. K. Kinder, p. 38

Sources

External links