Fernand Joseph Désiré Contandin (8 May 1903 – 26 February 1971),[1] better known as Fernandel, was a French comic actor. Born in Marseille, France, to Désirée Bedouin and Denis Contandin, originating in Perosa Argentina, a town located in the province of Turin, Italy,[2] he became a comedy star, first gaining popularity in French vaudeville, operettas, and music-hall revues. His stage name originated from his marriage to Henriette Manse, the sister of his best friend and frequent cinematic collaborator Jean Manse. So attentive was he to his wife that his mother-in-law amusingly referred to him as Fernand d'elle ("Fernand of her").[3][failed verification][4]
Appearing as Fernandel since 1922,[1] in 1930, Fernandel appeared in his first[1] motion picture and for more than forty years he would be one of France's top comic actors. He was perhaps best loved for his portrayal of the irascible Italian village priest at war with the town's Communist mayor in the Don Camillo[5] series of motion pictures. His horse-like teeth became part of his trademark.
He also appeared in Italian and American films. His first Hollywood motion picture was 1956's Around the World in 80 Days in which he played David Niven's coachman. His popular performance in that film led to his starring with Bob Hope and Anita Ekberg in the 1958 comedy Paris Holiday.
In addition to acting, Fernandel also directed or co-produced several of his own films. His profile was raised in Britain by the 60s TV advertisements for Dubonnet in which he would say "Do 'Ave A Dubonnet"
Fernandel died from lung cancer[6] and is buried in the Cimetière de Passy, Paris, France.
He had two daughters, Josette (1926) and Janine (1930), and son Franck (1935). His son, known as Franck Fernandel, became an actor and a singer. Franck acted alongside his father in two films, Gilles Grangier's L'Âge ingrat and Georges Bianchi's En avant la musique.[7]
In The Stranger by Albert Camus, Meursault and his female friend Marie Cordona watch a movie starring Fernandel on the day after the funeral of Meursault's mother. According to Meursault, "The movie was funny in parts, but otherwise it was just too stupid."[8]
